Nashville, TN — Without a list or a plan, Adam Steffey, Ron Stewart, John Bowman, Keith Garrett and Harold Nixon met in the studio and created a new album in less than four days. The Boxcars walked out of that studio with twelve dynamic tracks executed with the characteristic emotion, precision, and cleverness that fans have come to expect from The Boxcars.
The reigning IBMA Instrumental Group of the Year releases It’s Just A Road, displaying the band’s versatility with a variety of elements that include Swing, Old Time, Gospel and quite possibly the finest Bluegrass heard anywhere.
The band is comprised of five players who could individually play with anyone they wish, but they choose The Boxcars. It’s rock solid, masterful, delicious Bluegrass; rooted in tradition and flavored with contemporary finesse.
“There’s no grand scheme,” says Adam Steffey, “We’re just five guys who play what we like. There’s not a lot of fanfare. After all, what’s wrong with just playing Bluegrass?”
From the classic Carter Family’s “Coal Miner’s Blues,” to the modal sound of the Gospel song “When Sorrows Encompass Me Around,” to the original tracks from banjoist Ron Stewart and guitarist/singer Keith Garrett, this third release from The Boxcars is a pleasing collection, brimming with outstanding musicianship and harmony.
It’s Just a Road continues The Boxcars’ unbroken streak of releases that could surely serve as tutorials on how this music should be played.
This is the 3rd album from The Boxcars, who were previously honored as the 2011 IBMA Emerging Artist and Instrumental Group of the Year. Earlier releases were ALL IN and the band’s debut self-titled project.
It’s Just a Road (Mountain Home Music Company) releases Tuesday, April 30, 2013.
ABOUT THE BOXCARS
An East Tennessee native, he found a place in the Tennessee-Virginia border area’s thriving bluegrass scene in short order, serving early stints with the Lonesome River Band (Tyminski was his replacement there) and then helping to found the near legendary group, Dusty Miller, along with Barry Bales and guitarist Tim Stafford. The three jumped to the big time together when Alison Krauss recruited them into Union Station, and for nearly seven years, Steffey lived the life of a high profile musician, as the band earned Grammy awards and IBMA trophies, toured extensively, made national TV appearances and recorded albums that reached far beyond the core bluegrass audience. Yet by 1998, the restless side of Steffey’s spirit made itself felt when he left the group and, after helping to lay plans for what would become Mountain Heart, joined bluegrass gospel favorites The Isaacs—a setting in which he played a different, though no less important role. He is a 5-time Grammy winner.
Ron Stewart is well on the road to becoming a legend in contemporary bluegrass music. He is already one of the most sought after multi-instrumental session players in the genre’s history, and is in high demand as an engineer and producer. Stewart grew up in rural southern Indiana, an hour and a half from the famous Bill Monroe’s Bean Blossom bluegrass festival, surrounded by a family that played bluegrass and old-time country music and a community rich with musicians. In his thirty-three years of playing banjo, fiddle, guitar, bass, and mandolin, Ron has gone from fronting his family band for over ten years to working with a who’s who of bluegrass, including Lynn Morris, Curly Seckler, a guest appearance at age nine on a live album with Lester Flatt, and, most recently, a six-year stint as fiddler for JD Crowe and The New South, followed by a stint as a member of the Dan Tyminski Band. Notably, Ron engineered much of and played fiddle on The New South’s 2006 release, “Lefty’s Old Guitar,” which is nominated for a Grammy.
John R. Bowman
How many folks can say they were born in Mayberry, worked for Alison Krauss, and are married to one of the Isaacs? Well, one: John R. Bowman. A family move to Ararat, VA and exposure to the rich musical heritage in that region eventually lead to Doyle Lawson asked him to join Quicksilver in 1991. He stayed with the band from 1991-1992 and recorded 4 cds with Quicksilver. During the summer of 1991, he met back up with his old buddies from a group called Dusty Miller, Adam Steffey and Barry Bales. They were playing with a young lady from Champaign, Illinois named Alison Krauss. By September of 1992, Alison had asked him to join her band as Dan Tyminski was going back to the Lonesome River Band. He played with Alison about 15 months. In 1994 he married Becky Isaacs and worked with them on various levels for over 12 years.
Keith Garrett grew up in the community of Citico in East Tennessee. His earliest and possibly most important musical influence was his dad, William Garrett, who taught Keith to play the guitar at the age of thirteen. Almost immediately he was drawn to the music of such greats as Tony Rice, Keith Whitley, the Bluegrass Album Band, Doyle Lawson & Quicksilver, and Ricky Skaggs, and he soon began playing with various local and regional bands. In 2000 Keith became a founding member of Blue Moon Rising, an East Tennessee based bluegrass band that received national acclaim and was nominated for “Emerging Artist of the Year” in 2006 by the International Bluegrass Music Association. As a member of Blue Moon Rising, Keith continued to hone his talents and earned himself a place alongside some of the best singers and songwriters in bluegrass.
Harold Nixon has been a working musician since he was 15 years old, and has had an intense interest in recording almost from the beginning. With a keen ear and a rock solid sense of rhythm and timing, he has gained the respect of the very best in the business, eventually leading to a six year stint with JD Crowe and the New South, touring in the band and appearing on the 2008 Grammy Nominated record “Lefty’s Old Guitar.” Some recent work with Blue Moon Rising has kept him in the spotlight the past couple of years.